The best films in the first person (subjective camera, pov, first -person) 9 interesting films

Hello!
The best films in the first person
9 of the most worthwhile watching films shot using a subjective camera (from the first person)
Many films use this approach, many have many scenes shot from the character’s eyes, I will tell you about films completely shot in such a manner.

Thanks for the viewing!
Maybe you have some favorite films “from the first person”?

Blair Witch Project: Episode 2 – The Legend of Coffin Rock

Blair Witch Project: Episode 3 – Elly Kedward Tale

Blair Witch Project: Episode 1 – Rustin Parr

The best comments

Well, I do not pretend to be the title of expert of the film industry, but the subjective camera and POV are still different things. And their goals are different.

Of course, I am not an expert with a world -famous name, but still “Found Footage” (found films, that is, “reports” and so on) and “pov” (that is, “hardcores” and others) are varieties of wetmenters, so that all the same things are more likely different, because they use different methods of influence on the viewer and pursue different goals. So to shove the “hardcore” to these “witches” and “monstro” – to mix warm and soft a bit.

Yes, why everyone stuffs https://gamblingdata.net/casinos/rainbow-riches-casino/ Monstro in the “Film Films”? Where is the “first person”? Although judging by the tags you have the whole selection of “mocking”, not POV films.

I tried to convey a fairytale with a cake, why the cloverfield could not be called the film “From the First Person”, I don’t understand what the relationship of oil and Suprematism have to the genres, techniques and means.

Look, if in other words, I meant that oil painting is one of the picturesque techniques, so?) And the Suprematism is an avant -garde direction, so? It’s just that in my opinion, there is a substitution of concepts, taking a shooting and genre of cinema. Just everything.) And I’m not trying to insert “complex” words, I just call my names. Well, why write (direction in vanguardist art) if you can use one word, easier) just and everything.

What is the fundamental difference between the “subjective camera” and POV by the method of influence on the viewer, the essence of the effect, and? What are different goals, except at the right time to cause the most acute sympathy of the viewer to the hero, who finds himself in some situation? Despite the subject, the plot that does not have a difference of what these methods differ if the result is one? Formality of category? How warm and soft?

And how long have you endured the thought that “this is a camera, it is not me” when you watched, for example, “witch from Blair” for the first time? That it was shot by someone … for a long time … Pseudo-documentary, some kind of foreigner shot … and in general this is a film and everything was shot in it. I give my hand to the cut -off that you liked it, and precisely because you sympathized with the heroes, and it was because you understood the situation. And it helped you in this – shooting the camera from hand imitating the hero’s eyes in this story at that moment (complex), and his eyes were five rubles, after the middle of the film.

Subjective camera – a reception, the essence of which is in the shooting of the hero through the eyes. The viewer does not see the record from the camera that the hero wears (and even more so – static, as in the “paranormal phenomenon”) – he sees exactly what the hero sees, and in no other way. The actor is not an operator, he is a camera.

Like all artistic cinema. Like art in principle. No, however, what is art, if not an attempt to understand something about our reality (for this is the only thing we have people) and convey this to the viewer using artistic means?

POV, t.e. first -person cinema is a movie that imitates the view from the hero of the hero. “Hardcore” – a vivid example of this. And “mocking” is when instead of professional operators with steep aggregates on wheels with stabilizers and all the like, they give the camera to actors who run, shake it as it hit and so on, creating an increased sense of reality of what is happening. But this is just a camera placed in context, and no “first face”.

Let’s give you an example for a first grader. Look: there is a cake. There is a cake in front of you, you take it and eat it. This is the first person. Now imagine that a photo of the cake hangs in front of you on the wall … Then, I hope, you yourself think.

I did not understand, but how then it was removed?) The narrative is conducted from a person with a camera, t.e. from the first person, or I did not understand your question? Such a move is called the subjective camera.